And when you talk to them, they talk like sheep. "Ergo, at least I am led to believe there are sheep. The people you see there are exactly like these people - ultra cool and all the same. "There's an ultra cool sort of an eatery because it's not really a restaurant in Venice that's very close to the Google headquarters.
The millennial workforce is "ultra cool and all the same", the actor said. That's what my impression is," Waltz said. As Einstein said, to be a member of the herd, you have to be a sheep first.
"I am always stunned by how conformist they are and how obedient they are. It definitely mirrors directly what I perceive of the millennial workforce. To me, that's the whole joke of the story. "It is actually a very astute and close observation of what's going on inside this generation of the workforce. The actor believes the series, created by Tony Basgallop, makes some key observations about the current generation of workforce. But they make changes that ruin the lives of thousands," Waltz said. They know diddly-squat about the business they consult. "That's what these consulting companies do. The Elon Musk thing was good for the marketing of this show, but it was not the first time it ever happened in the history of business. In one of the initial episodes of "The Consultant", Waltz's Patoff is shown giving ultimatum to the staff members working from home to reach the company premises or lose their jobs, a moment that mirrored the scenes reported from Twitter headquarters recently.Īfter his acquisition of the social media giant, technocrat Elon Musk had scrapped Twitter’s work from home policy and ordered its staff to get back to the office. You get more to think about why this happens and then you get closer to why we do it and why you watch it," he added. And if they contradict each other, then they're closer to real life and the world. "For me as an actor, I need things to do. I'm just an actor," he said.Īsked about striking a balance between comedy and drama, the actor said he doesn't "act in genres". Bad and good, that's what you come up with. "There's a huge misconception about bad and good in any case. Waltz believes that people have a "huge misconception" in deciding what's good and what's not. Over the years, Waltz has been Hollywood's go-to-guy for characters that explore various shades of grey - from Alan Cowan in Roman Polanski's "Carnage" and Walter Keane in Tim Burton's "Big Eyes" to the iconic James Bond nemesis Ernst Stavro Blofeld. Three years later, his second collaboration with Tarantino for "Django Unchained" landed him another Oscar, though his role was positive this time.
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